Exploring Existentialism Part Three: To Be Free or Not to Be Free?
In this respect, they
connect up as much with the literary tradition of the 20th century as with the
philosophical tradition. The borderline between poetry and philosophy in
existentialism is a very murky one, and that has to do with the logical
structure of the system, but it also has to do with the fact that what they are
doing transcends all boundaries, and in fact, is antagonistic to the idea of
boundaries at all.
Philosophy of
Individualism
Heidegger’s influence
cannot be understated, he was one of the most important German philosophers of
the century, and many of his students went on to become existentialists.
Just as Kierkegaard and Nietzsche are worlds apart, there are no identical
existentialists. They change because they're all individuals, because this is a
philosophy which celebrates individual expression, authentic responses to the
great questions that we all face, that we all must answer ourselves. We must
eschew concocting smug pseudo solutions to problems which no one can truly
solve as there is no ultimate grounding for our judgments of right and wrong;
nor for the thinking that we do, nor for the actions we undertake.
Radical Freedom of Choice
We must stop the smug
project of producing one size fits all answers, answers which cleverly hide our
uncertainty under the rug of convoluted logic, authority, and the unquestioned
confidence in technology. Rather the existentialist wants to us to confront the
fact that there are no ultimate rules: this is life, messy and ambiguous, here
and now. We must confront this reality which is delivered directly to our
senses and our conscious experience, our intimate subjective experience of
being in the world.
The stage is now set for
us to explore the existentialist ideas of Jean-Paul Sartre. Sartre lived a
little bit later than Heidegger, and his work is really a development based on
Heidegger’s ideas. It's much more readable than Heidegger, though to be fair,
Heidegger really takes the cake when it comes to unreadability. Sartre explores
the implications of Heidegger's main ideas by asking similar questions, and
many of the same questions asked in Sartre’s work, are answered in a way that's
much more accessible.
If you're going to be
reading existentialism, I strongly recommend reading Sartre first, and I prefer
his literary works as a starting point before diving into his main
philosophical works. I find it helpful to juxtapose the kinds of
questions that somebody like Heidegger wants to ask with those of a scientific
philosopher. Instead of asking ‘what things exist?’ Heidegger implores us
to ask: ‘What does it mean for things to be?’ Of course, when you phrase the
question in this alternative manner about what it means for something to exist
at all, you have stepped into the depths of philosophical questioning.
The Great Question of
Being
Heidegger's argument
essentially tells us that there is no foundation to this class of questions,
but we must ask, ‘what is it for something to be?’ Heidegger doesn't want to
know what things human beings know, but ‘what is it to know anything?’ He doesn't
want to know what things we can think about instead, he penned a book, 'What is
called Thinking’ which simply examines what it means to think about anything.
Heidegger changes the
orientation of our though and hence it’s structure. He turns the usual
questioning process on its head. Instead of trying to describe with ever
increasing precision the external world, we're going to try and describe with
whatever precision is possible, the world of the human psyche: not what do we
know, but ‘what is it to know anything?’ Not ‘what is it that exists?’, rather
‘what is it for anything to exist?’ ‘What are we talking about when we talk
about existence?’ Heidegger’s answer to this is that if we pursue this line of
questioning thoroughly and honestly, that we will eventually end up in silence.
This is the starting point where Sartre really continues from Heidegger.
Sartre: Being and
Nothingness
Sartre tries to answer
questions that Heidegger has left in silence and those that the positivists
refuse acknowledge. Sartre centres himself upon the question of what it means
to be a human being in the 20th century. He utilises phenomenology, a descriptive
method, as his approach to this question. One could say that his best works are
his novels and plays since they offer a poetic concretisation of his central
concepts in a way which is both accessible and compelling.
For Sartre it is questions
of anxiety, uncertainty, and the inherent lack of decisiveness in facing human
problems which characterises his novels and his plays. Now, Sartre says
essentially that what makes human beings human, and what makes them different
from everything else in the world, is that they're free to make choices.
For Sartre, we are all
condemned to freedom, which means we are forced to make choices that have no
logical grounding and that there is no way to avoid this excess of freedom
without the self-deception of what he calls ‘bad faith’. In Sartre's parlance, ‘bad
faith’ is a lack of authenticity: we are called to live authentically. We are
called to deal with who and what we really are, we ought to bravely and
squarely face all the ambiguity, anxiety and misery which the reality of what
we are entails.
Being In Itself
VS Being For Itself
For Sartre what makes us
different from other beings is our freedom and he creates an ontological system
to describe this difference. This is the central endeavour in his tome: Being
and Nothingness which is itself the later extrapolation from Heidegger's Being
and Time. In this work, he tells us that there are two kinds of
things, the things en soi and pour soi: things in themselves and things for
themselves. All objects such as rocks, furniture, and utensils are things in
themselves, they are not conscious: they are objects. These are contrasted with
things that are for themselves, pour soi: conscious human subjects.
Those of you reading this
who have studied the History of philosophy, or at least a diverse sample of
previous thinkers will see this distinction between the world of nature, the
world of senses, the world of objects, and the world of subjects, as a revival
of the old metaphysical distinction between things that have souls and things
that don't. Notice that in a world purely made up of physical things, there
will be no freedom. It is the fact that we are conscious beings that leads
Sartre to insist that we are free. Now if we keep in mind that Sartre is
using the phenomenological method inherited from Heidegger and Husserl, his
argument makes sense. His method is to describe the human experience and
brackets any reductionistic or metaphysical assumptions we may have.
Since we all experience being conscious and making choices, then his argument
for human choice and freedom is coherent, at least within this framework.
I would also add that from
a pragmatic point of view, we all experience the world as if we were making
choices. If we ever develop our physical science to the point where we believe
or we are willing to make the argument that we don't really make any choices,
that we don't have any freedom, Sartre says that that science is really a way
of escaping the burden of making agonising choices that have no fundamental
ground. Sartre says, like iIt or not, we are free, this is an inescapable fact
of our existence and is part of the human condition. For Sartre this is what it
means to be a subject as opposed to an object.
The Great Divide
The distinction between
subjects and objects is a driving element within Sartre’s philosophical
enquiries and ultimately his ontology. He behoves us to ask, ‘What's it like to
be a subject in the 20th century?’ It is through this questioning lens by which
he splits the world we experience into subjects and objects; into minds and
things. This splitting of the world is reminiscent of Kant’s concern with
moral freedom which was further refined into an overarching concern that the
human being, the psyche: our subjective experiences are being completely
subsumed under the rubric of Newtonian mechanics. So there is an echoing of
Heideggers’s shunning of logical positivism.
Kant addressed this
concern by dividing the world into physics and metaphysics: phenomena and
noumena. Sartre, however, dispenses with the metaphysics altogether, and
his phenomenological method in some sense dictates this; yet, some may hold
this as a dubious and bold venture at best. This is especially dubious
considering that Sartre's own intellectual move of splitting the world into
subjects and objects at the very least implies a metaphysical direction;
however, we should note that metaphysics has gone out of fashion.
It’s become sort of an
intellectual faux pas to discuss these topics within a metaphysical framework
during both Sartre’s time and even today in 2024, so instead he tries to
reformulate these questions in ways that will make sense to the contemporary
world. While Kant had to reconcile moral theory with Newtonian mechanics,
Sartre wants to reconcile his moral theory; he has his own moral theory of
authenticity, a heroic response to the meaninglessness, the unpleasantness and
horrific uncertainties that have characterised the 20th century.
Freedom And Bad Faith
So what does Sartre do in
the face of this conundrum? How can he find a way to morality and agency in the
mechanistic and sociopathic reality of the post WWII 20th century? Well
we works in a manner similar to Kan’t in that he makes certain assumptions, yet
unlike Kant he takes one of these assumptions and stands it on it’s head.
Instead of assuming the way Kant does that God exists, Sartre assumes that God
doesn't exist, and his argument will be something along these lines.
People invent religious
myths and religious illusions in order to relieve themselves of the burden of
making decisions that have no ground. If you can latch on to something
that is apparently certain, such as a set or religious rules or even a political
viewpoint, you can avoid the necessity of seeing the arbitrary uncertainty and
the responsibility of making groundless decisions. The religious or
political creed that you subscribe too masks these issues, and allows you to
avoid the responsibility and the freedom that is really at the bottom of all of
our actions. So for Sartre, the reason why people invented religious systems
and why they still gravitate towards them is that they are too inauthentic, and
they are too timid to face this uncertainty and groundlessness that is
characteristic of our freedom. They need to externalise this freedom and
responsibility into an outside authority figure which they can follow, but even
in this they are exercising their freedom, but they are doing so in bad faith.
Ultimately such individuals for Sartre are unwilling to grasp the fact that
these religious beliefs and their rules are just made up to alleviate our
anxiety.
Overcoming Bad Faith
As soon as you realise
this is what religious and cultural conventions are made up to do, they no
longer alleviate your anxiety and Sartre transforms this into a virtue. The
agonising qualities, the fact that there's no way out, that there's no exit,
that there's no way to avoid our freedom, is what Sartre is forcing us to
consider. Not only does he leave out the idea of God, but he also says that
there are other ways of shielding ourselves from the burden of freedom and the
anxiety and uncertainty that accompany it. Yet, Sartre maintains that in order
to be honest and authentic, in order to be at least what human beings could be,
we have to confront our freedom and the uncertainties that it entails, we need
to confront the fact the world is absurd, there is no fundamental reason or
justification for anything: the world simply is, and we make choices every
moment. We take a gamble with each choice as we are essentially making up
the rules as we go along, and this is too much to take in for most people.
Now, let’s look at how
Sartre regards psychoanalysis: he says that psychoanalysis serves largely the
same function that religious belief does. It allows us to attribute our
behaviour and our feelings and your connection to the world in a deterministic
way that hauls back to your childhood and early experiences. This whole
process facilitates the evasion of responsibility for the choices that we have
made. In this regard, Sartre says that psychoanalysis is in fact an example of
bad faith, there is no subconscious rather there is our bad faith and the
fracturing of our self that results from this. It's you deceiving yourself so
that you can give yourself a respite from the difficulties of freedom and
responsibility of being a human being.
Sartre thinks that Freud,
in that respect, has been one of the chief contributors to our undeception
because the psychoanalytic methods of Freud give us the opportunity to confront
the fact that there are no rules, that there is no structure to the world, and
that your behaviour is not determined by our childhood experiences, your
mothers weaning practices etc, It's determined by you. It's determined by the
world and your confrontation with the world. Responsibility rests with you, and
it can never go away from you except at the cost of being less than what you
could be. While Sartre disagreed with Fread’s theory of mind, principally
the unconscious, he did recognize the value of the psychoanalytic process in so
far as the individual can take conscious control of his or her life, which for
Sartre is a process of owning one’s freedom.
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